“观念的城池”——丁玲早期小说创作心理研究
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丁玲的创作横跨现代和当代，创作力极为旺盛，长久以来笔耕不辍，且伴随时代的激变，在不同的创作阶段其艺术个性的差异十分明显。一般认为，从1927年《梦珂》发表到1931年《水》的问世，这一时期是丁玲创作的早期阶段，也是丁玲的小说主观性最为强烈的阶段。本文拟以《在黑暗中》《自杀日记》《一个女人》三部小说集，以及丁玲在转向革命文学的过渡作品《韦护》《一九三〇年在上海》等小说作为研究对象，结合丁玲的童年经验和成长经历探讨作家早期的创作心理，通过对文本的解读，梳理和呈现丁玲创作心理定势与小说的双向互动，在此基础上研究丁玲早期小说形成的“观念的城池”。 本文结构如下： 绪论部分首先论述了本文的研究意义，...
Ding Ling's creation spans both modern and contemporary times, and her creativity is extremely strong. She has been writing continuously for a long time, and with the drastic changes of The Times, her artistic personality is very different in different stages of creation. It is generally believed that the period from the publication of Mengke in 1927 to the publication of Water in 1931 is the earl...
Ding Ling's creation spans both modern and contemporary times, and her creativity is extremely strong. She has been writing continuously for a long time, and with the drastic changes of The Times, her artistic personality is very different in different stages of creation. It is generally believed that the period from the publication of Mengke in 1927 to the publication of Water in 1931 is the earl...